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Fra Lippo Lippi critical analysis

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"We would rather have Fra Lippo Lippi than any essay on Realism in art" - George Eliot The Victorian poet, Robert Browning is famously known for his dramatic monologues and is a poet who aspires to draw upon the true nature of reality. He aims to bring forth in his writing, a depiction untainted by falseness or obscurity. And the poem Fra Lippo Lippi echoes this aspect of his poetry. The main focus of the poem is to question the readers as to what should be the right representation of art - should it be the idealistic form of art, with only the soul, something beyond the reality or should it hold up a mirror to life. Hence giving his readers food for thought. Like many of Browning dramatic monologues, the listener is completely the silent interlocutor and is subjugated and mesmerised by the speaker’s speech. And tells the readers a short account of the speaker and his life through the poem. The poem starts in media res, a common feature Browning employs to his poetry. We lear

The Scholar Gipsy critical analysis

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 The Scholar Gipsy analysis  "The Scholar Gipsy" by Matthew Arnold, revolves around the seventeenth-century Oxford story taken from philosopher Joseph Glanvil's The Vanity of Dogmatizing (1661). The poem is a take on the conflicts that prevailed in seventeenth-century Victorian Society. This period was a time of confusion and doubt. People grew more fascinated by the modern encroachments sprouting in their society. Developments in science questioned the very base of people's religious beliefs and many were put into a trance of scepticism. The publication of Charles Darwin’s monumental work ‘Origin of species’ released the Victorian conflict of ‘religion vs science Arnold has based this poem on a story from Glanvil’s work where he tells the tale of a poor Oxford scholar who left his University life and his studies behind to join a band of wandering gipsies. The Oxford Scholar is mesmerised by the wonders of mysticism practised by the gipsies and decides to learn every

Origin of English Drama

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The Beginning Drama originated in classical Greece. Athens, the cultural centre of Greece produced three genres of drama: Tragedy, Comedy, and Satyr. The famous dramatists of this time were Aeschylus, Sophocles and Euripides, and the comic writers Aristophanes and, from the late 4th century, Menander. From Greece, the drama entered the Roman empire. Three Dramatic Unities  The Greek and Roman critics recommended three dramatic unities which must be observed by a good dramatist. They are Unity of Time, Unity of Place, and Unity of Action. Unity of Time implies that the action in a play should not exceed the limit of twenty-four hours; Unity of Place means that the scene should not change too often from place to place, and the Unity of Action means that the Tragedy and Comedy should not be intermixed. Origin of English Drama The origin of the drama is deep-rooted in the religious predispositions of mankind. The same is the case not only with English drama but with dramas of other nations

A Vindication on the Rights of Women Wollstonecraft

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A Vindication on the Rights of Women  Wollstonecraft - Main Points Source : Google Images I n her essay, Wollstonecraft comes out against a society of men and women who live a life according to some conditioned beliefs. She accuses the men for viewing women as a household being, valued only for their beauty. Then she accuses the women for being concerned about their beauty, and living a submissive according to the rules set by men. In her initial chapters, Wollstonecraft launches an attack on men for making women as beings dependent on men. “The neglected education of my fellow creatures is the grand source of misery deplore”. The many books written by men have reduced. Women to their beauty and alluring mistresses than rational wives. Such books advice womenfolk not to engage in so called masculine life. It tells women how to make themselves presentable, table manners, how to please men - all things that do not facilitate the development of reason or thinking. And these have brainwash

Hamlet as a Revenge Tragedy

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  Hamlet as a Revenge Tragedy Source : Google Images By dramatic conventions, the play Hamlet is considered a Revenge Tragedy. According to Shakespearean tradition, tragedy is the story of a man and depicts his sufferings and misfortunes leading to his death. Hamlet is a man of noble birth, the heir to the throne of Denmark. He is forced out of his comfort zone to avenge the death of his father, who was murdered by his own uncle, Claudius in order for the throne. What adds fuel to his revenge is Gertrude’s hasty marriage to Claudius. Like all Shakespearean heroes of tragedy like Macbeth, King Lear and Othello, Hamlet is a man of high and distinct qualities, who occupies an important position in society. Hamlet is loved by his people. He is a great philosopher, he is noble in his thoughts and dealings and refrains from doing evil acts. A tragedy aims to produce a cathartic effect and Hamlet’s character successfully delivers it. The play begins in media res and we are introduced to Haml